[恭贺青青荣膺资深烧友]RR+TAS加持-伊士东文演奏莫札特钢琴协奏曲 21＆24
[table=100%,#FFFFE6][tr][td][size=9pt][发帖际遇]: [url=http://www.yybyy.com/event.php]wa38cc参加论坛辩论大赛, 获得威望3.[/url][/font][/td][/tr][/table]Eugene Istomin - Mozart: Piano Concertos No. 21 & No. 24 [Reference Recordings RR-68CD] [HDCD]
Original Release Date: March 12, 1996 | Reference Recordings | ASIN: B0000015A4
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也不用说感谢的话，青青的功力，有晃过X音论坛古典版的朋友都晓得的。
其实，RR也好，TAS也好，发烧的光环都是世俗的，请青青大静静品尝小弟带来的音乐即可。
Although Istomin's approach to these towering works may not please all tastes, they leave no doubt that he is a thoughtful and probing musician. Less controversial of the two readings is this superb K.491. Whereas some performers opt for conveying either the music's Sturm und Drang intensity or its otherworldly, eerie gloom exclusively, Istomin manages to suggest both without compromising the work's integrity. He displays welcome rhythmic subtlety, inflecting, for example, the piano's initial entrance with just enough rubato to heighten the significance of a motif that becomes central to the movement's development. Similarly, he favors dynamic inflection of scales, thereby increasing their expressivity, an expressivity made all the more compelling by his evenness and clarity of articulation. Yet he also recognizes the limitations of the keyboard instruments of Mozart's day by restricting dynamic range, a practice most notable in the march-like variation of the finale, where some pianists tend to play too forcefully. Adding to the virtues of the whole is the sharply focused interplay between piano and winds, which serves to italicize the solo-tutti conflict that generates drama in Classical-concerto style. And the Seattle winds play with world-class virtuosity. Having a slow movement free of sentimentality and a finale that benefits from a steady pace from one variation to another, this is a performance to reckon with. So, too, is that of K.467, but for different reasons. Here the work's festive trumpet-and-drums ethos is sometimes neutralized. With its relatively broad pacing in outer movements, occasional rounding of square edges, and expansion of the tempo at key points (note the G-Minor section of the first movement), the performance is a far cry from the modern, period-instrument approach to Mozart. Yet the slow movement, unfolding as an aptly "walking" Andante, is an equally far cry from the perfumed excesses imposed on it in old-fashioned, Elvira Madigan conceptions. Indeed, were the orchestra less thickly textured and colored by tighter, less spongy timpani, the performance might have worked better. Still, regardless of how one responds to it, it cannot be condemned for neutrality. Mozart left no cadenzas for either work, and the unidentified ones played by Istomin seem a bit long and, at a few points, unstylish. Thoroughly stylish, however, are his brief and witty improvised additions in the outer movements of K.467. Aside from an occasional glassiness of string tone, the sound is first-rate, the piano forward but never larger than life, and (as already suggested) ideally balanced with the orchestra.
曲目:
1. Concerto No. 21 in C Major, K. 467: Allegro Maestoso -
2. Concerto No. 21 in C Major, K. 467: Andante -
3. Concerto No. 21 in C Major, K. 467: Allegro Vivace Assai -
4. Concerto No. 24 in C Minor, K. 491: Allegro -
5. Concerto No. 24 in C Minor, K. 491: Larghetto -
6. Concerto No. 24 in C Minor, K. 491: Allegretto -
编号：RR-68CD
美国RR唱片公司是发烧友熟悉和喜爱的唱片公司，他们近100款的录音制作成为了排行榜上首屈一指的传奇。其1996年出版的《第21、24钢琴协奏曲》，由美国年届70多高龄的演奏家伊士东文演奏，其乐坛地位可于小提琴大师斯特恩相提并论。
由舒华兹指挥西雅图交响乐团协奏。
作曲家介绍：
沃尔夫冈·阿玛多伊斯·莫扎特（ Wolfgang Amadeus Mozart，1756-1791）伟大的奥地利作曲家，维也纳古典乐派的杰出代表。出身于萨尔兹堡宫廷乐师家庭，很小就显露出极高的音乐天赋，即兴演奏和作曲都十分出色，六岁即创作了一首小步舞曲，并在欧洲旅行演出获得了成功，被誉为“神童”。1773年任萨尔斯堡大主教宫廷乐师，1781年不满主教对他的严厉管束而愤然辞职，来到了维也纳，走上了艰难的自由音乐家道路。
莫扎特的全部作品中洋溢着他追求民主自由的思想，并迸发出在巨大社会压力下的明快、乐观情绪。他广泛采用各种乐曲形式，成功的把德、奥、意等国的民族音乐和欧洲的传统音乐有机的联系在一起，赋予它们深刻的思想内容和完美的形式，为西方音乐的发展开辟了崭新的道路。其创作手法新颖，旋律纯朴优美，织体干净细致，配器注重音色效果，发挥了复调音乐的积极作用，对后世音乐创作产生极大的影响。他在短促的一生中共创作了七十五部作品，留下了《费加罗的婚礼》、《唐璜》、《后宫诱逃》、《魔笛》等著名歌剧，使歌剧成为具有市民特点的新体裁。并作有大量交响曲、协奏曲、钢琴曲和室内乐重奏。
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[[i] 本帖最后由 wa38cc 于 2008-8-24 09:59 编辑 [/i]] [table=100%,#FFFFE6][tr][td][size=9pt][发帖际遇]: [url=http://www.yybyy.com/event.php]wa38cc获得本周补贴堡币12元.[/url][/font][/td][/tr][/table]
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恭贺青青，欣赏欣赏
听不见呢？
[url]http://www.yybyy.com/bbsftp/vipuser/wo38cc/sample/Eugene[/url] Istomin - Concerto #21 in C, K. 467_ Andante.wma
wo38cc--->wa38cc？cc明察 咦~~~~~声音呢 ？
嘿嘿 恭喜青青哦 ldw8tsh 恭贺青青，“古典”美女;P
今晚星光灿烂！
大家都来点把火，好好也烧上一把，明天的奥运闭幕，肯定有取经的来！祝贺烧友青青！ 期待今后更多的精彩！ 恭喜青青美女 期待你更多精彩yct74hfs 恭贺青青美女:4a46b55d020017fx 恭贺青青荣膺资深烧友勋章mm37trd 恭喜 恭喜啦 jbz43dfuj jbz41dfuj 恭喜青青，谢谢你的付出，期待更多精彩！cc辛苦ldw14tsh [font=微软雅黑][size=5][color=Red]恭贺青青荣膺资深烧友![/color][/size][/font] 恭贺青青美女，cc老弟真是用心良苦，厉害呀。回复 15楼 的帖子
:lol 所以说~是“过年过节”才肯露面的家藏密级品;P 这早就落马的大东东，就等高手来收了:4a46b55d020017es 不知啥时~俺也能混个“资深”来美下的:lol 祝贺青青:victory: 恭喜青青，欢迎常来新世纪:4a46b55d020017ew 感谢你的论坛长期以来的支持~！期待你更佳的表现~！ 恭贺青青美女ldw8tsh ldw8tsh 祝贺青青，你的古典主义很是厉害！;P
谢谢~~我来晚了.
再一次谢谢这里每一位斑斑和朋友们~~青青感受到这里滴温馨和关爱
青青以音乐来回敬以上的爱爱朋友们,
吻~
同时也谢谢wa38cc小弟的音乐.
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